Whose Shake Is This!!?

“According to THIS book, someday you will publish a photo of us on the Internet.”

Sometimes I just get caught up in my own format. It becomes a trap from which I can barely escape. Hopefully, by recognizing that and bringing it to light, I can indeed effect an escape. Format. Perhaps I should explain, and as always, I will try not to allow the facts to get in the way of the truth.

I’ve been using a format for my blog that primarily involves a synergy and/or a resonance with current anime shows that I have been watching. As y’all should have guessed by now, I stay on top of all the new shows. And I use screencaps from those shows for various expositional or comedic effects, or both. Also, I will sometimes dredge up an older show and go off on that. Format. Yes. Now the concept of format actually comes from my old SF Fanzine publishing days back in the late 70′s and into the 80′s when I lived in Minneapolis and published a Hogu Award nominated fanzine INTERGALACTIC STARBARN and also published zines for the two local APAs (Amatuer Press Associations, for those among you who are mundane — hee!), MINNEAPA  ((used various titles there, also published quite few zines ananomously there under the nom de plume of Mark Heifer)), and one for STIPPLE-APA, titled ZINE. I also published a zine, entitled MY ZINE TITLE for the Chicago fandom’s local APA, WINDYAPA….although my first zine published there was entitled The Johnny Callison Show which was written live from the Convention Suite of Minicon 17 on Saturday evening April 18, 1981, and then published in WINDYAPA #6.

Format. Typeface, Masthead, Colophon, Comments and the layout thereof. I would use a format for each of my apa-zines and try and stick to it consistently. It was a small little obsession that was, to varying degrees, shared with my fellow fans. It would prompt such comments, like my comment to Robin Beal in WINDYAPA 11 ((which btw features my cover drawing of myself and fellow Minneapolis fan, Mike Wood (the late Mike Wood, beloved by all in Minn-Stf and longtime editor of MINNEAPA) arriving in Chicago…Mike flying in in the guise of a wood-duck, and me sky-skiing over downtown Chicago being towed being a Northwest (Bozo)Orieinted Airlines DC-10)): “Well by golly, this format is a real wicked drug. [Hi Gretchen.] I like yours. real easy to read.”

Now am I clear about FORMAT!!??

Okay…onward!!

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Yes, I know it’s the Holidays. Christmas, New Years and all that and I hope it’s happy. Also, it’s not only the end of the year, but also the end of the Decade. But if you’re expecting anything Holiday or Fin de Year/Decade related, or a sad parade of Top 10 Lists, well, best prepare yourself to be disappointed. Or at least, dispense with those expectations entirely and then you won’t be disappointed at all, and might, when all is said and done be somewhat pleasently surprised, albeit vaguely.

Most likely, I will leave the Decade Stuff, the Best O’ The Year Stuff, to better, simpler minds. There is one GREAT Best of The Decade List I saw recently, and i highly recommend it. Ben Cohen has complied a Top 10 Best American Sports Writing Of The Decade. This is GREAT reading. Fabulous stuff. If I could write 1/10th as well these sportswriters…well…I’m begging the question. Onward.

While having a beer at the Grumpy Troll this afternoon, I got to wondering about when, exactly men’s basketball shorts stopped being short. There had to be a moment, or a descending series of moments when that occurred. What got me thinking about that was that I was watching the replay of last night’s Wisconsin vs. UW-Milwaukee basketball game, and UW-Milwaukee has this big galoot trudging around out there, 6’7″ 310 pound (yes, you read that right) James Eayrs, who looks more like one of those Eastern Europeans sumo-wrestlers. Anyway, those basketball shorts on him looked especially ridiculous….you could’ve used them to wrap up a Minneapolis-Moline Tractor as a Christmas present. If fact, he looked like a Minnneapolis-Moline tractor. So it made me wonder…when did this goofy trend start.

Doing a little digging, I re-discovered my memories of University of Michigan Fab 5 from the 1991-92 season. The Fab 5:  Juwan Howard, Jalen Rose, Chris Webber, Jimmy King and Ray Jackson bagn the 1991-92 season as freshman finished the season by winning the NCAA Championship. They popularized and propelled the trend towards baggier and longer basketball shorts. When they first hit the courts in their long baggy shorts, and black shoes and socks…they were like nothing anyone had ever seen…and they played like nothing anyone had ever seen. Long and baggy became cool and pretty soon College and then NBA player began adopting the new look. BUT…

The look didn’t start with the Fab 5 however. While I haven’t pinned this down to the exact moment…the actual origin of the look began with the Arkansas Razorbacks basketball team during the 1990-91 season. Back then, the Razorbacks were not nationally televised and though a pretty good team that made it to the Elite 8 that season under head coach Nolan Richardson, they weren’t poised on the brink, so to speak. They didn’t have the flair and the style that Michigan had the following year.

Early in the 1991 season, Michigan assistant coach Brian Dutcher noticed his players pulling their shorts down to their hips and wearing their jerseys untucked. Remembering seeing the Arkansas team wearing longer shorts the previous season, he ordered shorts for the Fab 5 to wear that were about 2 to 4 inches longer than average. Juwan Howard liked them, and the rest, as they say, is history.

Well…it really IS the end of the Noughties…and as much as it galls me to spit those words off my tongue, I guess there is no avoiding the reality of it. And a dreadful decade it was from a cultural, political, economic, social, emotional, ethical standpoint. If not for sports, the Noughts would have been even more a total miserable hell than it already was.

Sports survived it all. Even the Milwaukee Brewers were able to rise above by the end of the decade.

And speaking of the Brewers…

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That pretty much sums up the Chase after last Sunday’s Tum’s Fast Relief 500 at Martinsville. Sure, Denny Hamlin scored an impressive win. It’s a track, like Pocono, he’s supposed to win at. And he did. But…

The damned ability of Jimmie Johnson and the evil mechanations of Chad Knaus will simply not go away.  Jimmie Johnson finished second increasing his lead on Mark Martin and the rest of Chasers. Short of some sort of miracle, like a Close Encounter of the 4th Kind, this Chase is over. Finito!

Hand him the damned trophy and start the Daytona 500 countdown clock.

Meanwhile, NASCAR has to come up with some solutions to make the Chase more competitive and interesting. For both the drivers and the fans. But…

One shudders to think what kind of nonsense Brian France and Mike Helton will/can/could cook up THIS time to save the Chase, the NASCAR, their legacies…. Brrrr!! The horror!!

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I’m not quite sure what possessed me to even THINK about doing this, but since I hardly have an original thought in my head, it does not surprise me in the least, despite any semblance of judgement, better or otherwise, that might reside somewhere within me, albeit deeply buried, that I actually attempted this at all. Also, it should come as no surprise that I didn’t pursue this quixotic jackassery in the privacy of my own home, fat white ass in my recliner with a 42 pack of DAB and a bag of pork rinds. Nope. I grabbed my notebook and my pink pen and made straight for Mt. Horeb’s very own FIREHOUSE BAR to capture the Brickyard 400 in the relentlessly smokefilled puerililty of the descending series of moments that loom larger than life in that little home away from home on the corner of 1st & Front Street in downtown Mt. Horeb, Wisconsin.

I will also say straight out that I am stealing the concept of this from blog好き, which is arguably one the best anime bloogs out there. Do you honestly think I could come up with this on my own? Of course you don’t. Also, since Twitter has suddenly become all the horrible rage, you might think that this is a relatively new and trendy phonomenon. It is not. Jason, who published the aformentioned blog好き has been doing this for quite some time. My appropriation of the concept also has nothing to do whatsoever with the horrors of Twitter, and all that social networking dross.

As I said, whatever madness propelled me to do this will most certainly be revealed shortly.

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